Friday, June 27, 2014

Movies(Best releases)of the Week/27thJune2014/Johnson Thomas

Movies(Best releases)of the Week/27thJune2014/Johnson Thomas

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Movies(Best releases)of the Week/27thJune2014/Johnson Thomas


Transformers: Age of Extinction(3D/English):Rating: *  * * ½ Consistently productive actioner. This symphonic display of elevating music, sparse dialogues, narrative expediency and thunderous action provides the requisite adrenaline rush with it’s spectacularly effected thrills! #MichaelBay #Paramount #Viacom18PicturesMovies #MarkWahlberg #StanleyTucci 


Picks&Piques/Snippet Film reviews/27thJune2014/Johnson Thomas

Picks&Piques/Snippet Film reviews/27thJune2014/Johnson Thomas

<a href="http://www.mrqe.com/"><a href="http://www.imdb.com/"><a href="http://www.wikipedia.org/"><a href="http://www.aasra.info/"><a href="http://www..com/"><a href="http://www.thepioneer.com efilmcritic.com/"><a href="http://www.talkingpix.co.uk/"><a href="http://www.newyorktimes.com/"><a href="http://www.timesofindia /"><a href="http://www.tirbuneindia.com/"><a href="http://www.hindustantimes.com/"><a href="http://www.dnaindia.com/"></a></a></a></a></a></a></a></a></a></a></a></a><a href="http://www.internationaltribune.com/"><a href="http://www.efilmcritic.com/"></a></a>
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Picks&Piques/Snippet Film reviews/27thJune2014/Johnson Thomas

Ek Villain(Hindi) Rating: *  * ½   Best described as a schizo-fried requiem, this Mohit Suri film has characters that function on the basis of a fitfully altered reality. Soulful songs, haunting score, an eventful non-linear structure and decent performances keep the interest going in an otherwise fist-heavy, Ghajini inspired love ,loss and revenge drama. #MohitSuri #EktaKapoor #BalajiFilms #SiddharthMalhotra # ShraddhaKapoor #NilouferQuereshi
Naya Pata(Hindi/Bhojpuri) Rating: * Aiming for an ‘Uski Roti’ kind of immersive experience but falling way short in every department. This threadbare representation of an individual’s experience with migration(Palayan in Hindi) struggles to convince us of it’s noblest intentions. Unfortunately the enforced journey fails to bear fruit!#PawanKSrivastab #ShiladityaBora #PVRPictures #SaurabhRathore #MoesArt
Transformers: Age of Extinction(3D/English):Rating: *  * * ½ Consistently productive actioner. This symphonic display of elevating music, sparse dialogues, narrative expediency and thunderous action provides the requisite adrenaline rush with it’s spectacularly effected  thrills!#MichaelBay #Viacom18picturesmovies #paramount #MarkWahlberg #stanleyTucci #KelseyGrammer

                                                                                      

Friday, June 20, 2014

With You, Without You, Sinhalese-Tamil, International Film Movie review, Johnson Thomas, Rating: * * *

With You, Without You, Sinhalese-Tamil, International Film Movie rebiew, Johnson Thomas, Rating: *  *  *

With You, Without You, Sinhalese-Tamil, International Film Movie rebiew, Johnson Thomas, Rating: *  *  *

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International( Srilankan) film Review
Johnson Thomas


A conflicting experience


Film: With You, Without You(Oba Nathuwa, Oba Ekka)
Cast: Shyam Fernando, Anjali Patil
Director: Prasanna Vithanage


Rating: *  *  *        

              
Set in post war Lanka, this film tries to bring us close to two characters psychologically debilitated by conflict- A man and a woman from the two ends of the chasm creating thirty year old bloody civil war in Sri Lanka. This film is a post war epitaph to the many who found themselves on opposing sides of a war that was brutal and unrelenting in it’s dehumanizing spiral. Prasanna Vithanage, a much feted filmmaker from Sri Lanka, attempts to make that war the counter-point for this fatal romance between two individuals- a head strong young Tamil catholic girl Selvi(Anjali Patil) struggling to come to terms with the loss of her family and her people and a native Sinhala Buddhist pawn broker Sarathsiri(Shyam Fernando) who has his own issues to dope with. The two meet, fall in love and get married but happily-ever-after appears to be a figment of someone else’s imagination. A friend’s visit and the discovery of an inglorious past, destroys the growing love between the two and eventually leads to distrust and hatred. So far so good. The eventual outcome of that discovery is what sits uncomfortably for the viewer.


Whatever the filmmakers intentions, the narrative would have been better served if some compromise would have been evolved to tide over the relationship crisis and save the crumbling marriage. The eventual climax stands out like a sore thumb, executed as it is, with a clumsy, befuddling finality that leaves the viewer unaffected.

Vithanage in fact builds up momentum with a grace and serenity that is masterly. Aided beautifully by somber evocative camerawork, underwhelming background score, minimalistic dialogues and brilliantly underplayed visually expressive performances by both the principal actors. Anjali Patil in fact is a revelation here. She lives the role so beautifully as a Tamil catholic firl that if you were not aware of her real name , you would be fooled into thinking she is just that. This is definitely another award worthy performance by her! This film is worth a watch!


  

Chef, English Hollywood film Movie review, Johnson Thomas, Rating: * * * 12

Chef, English Hollywood film Movie review, Johnson Thomas, Rating: *  *  * 12

   
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English Film review
Johnson Thomas


Drool worthy Culinary Delight!


Film: Chef
Cast: Jon Favreau, Scarlett Johanssen, Sofia Vergara, John Leguizama, Robert Downey Jr., Dustin Hoffman  
Director: Jon Favreau


Rating: *  *  * ½      

  
A tasty treat, this Jon Favreau creation has all the ingredients to make for a gastronomical success at the turnstiles. His delectable scripting/direction not only manages to stimulate your appetite but also stirs up plenty of drool worthy moments in the dramatic byplay between the protagonist, his ex-wife and young son.

Favreau casts himself as the lead character, a gruff , roly-poly high-end Los Angeles restaurant Chef, Carl Casper whose job goes on the line when a popular blogger food critic Ramsey Michel (Oliver Platt) decides to come and try out his restaurant fare. Casper’s boss, restaurant owner(Dustin Hoffman) wants him to stick with the regular menu while Casper himself wants to set out an all new menu for the critic to savor. The Boss wins the first round but fails the critical test. The critic’s views go viral and Casper becomes a laughing stalk.  Casper requests his young son’s help for tweeting a response and in the process throws down the gauntlet for a second round confrontation. But with his Boss still sticking to his guns, Casper has no recourse but to leave and depend on his ex-wife Inez (Sofia Vergara)’s ex-husband/lover (Robert Downey Jr.) to bankroll him for a run down second-hand Food truck. Casper then takes us on a tour viz. a road trip  that begins in Los Angeles, relocates to Miami, then returns to the West Coast by way of tasty stopovers in New Orleans and Austin, Tex. Suffice to say, close on the heels of a sell-out tour,  Casper’s astounding culinary talents wins vindication and his career sees a great new high.

It’s the typical American story in the age of social networks where anyone can rise, fall and rise again, given the opportunity and with some concerted efforts. The ADHDness of a whole new generation is of course the catalyst. A sentimental subplot involves Carl’s relationship with his partly estranged 10-year-old son, Percy (Emjay Anthony), who becomes his social media tutor. Casper is unable to connect with his son at first and then when forced to take him along,  finds a meeting ground in his own abilities and work ethic and from therein develops a bond that strengthens as the narrative moves along.
Favreau’s treatment harkens back to his earlier ‘indie’ creations like ‘Swingers’ and ‘Made,’  even though this one(unlike his earlier creations) is stuffed to the gills with shiny star bright ingredients like Dustin Hoffman, Robert Downey Jr., Scarlett Johanssen, Sofia Vergara and John Leguizamo. Add to that a sparkling moderately funny screenplay, well rounded and likeable characters, witty dialogues and tasty performances and you are served up  a delicatessen comedy that’s lip-smackingly delicious in tone and tenor- as buoyed by a spiced-up soundtrack that mixes salsa, soul music and country blues with Carribean flavor. Director of photography, Kramer Morgenthau makes food and scenery look delicious, the editing by Robert Leighton keeps the tempo and momentum brisk while the  production design by Denise Pizzini adds a certain richness to the servings.The overall experience is much like a light-weight soufflĂ©, not exactly deep enough to cater to your hunger pangs, yet delicious enough to whet your appetite! Bon AppĂ©tit, this one’s a must see!