Showing posts with label FPJ. Show all posts
Showing posts with label FPJ. Show all posts

Saturday, September 13, 2014

#Cinderella(DutchNationalBallet) Foreign Hollywood Film Movie Review, Johnson Thomas, Rating: * * * 1/2

#Cinderella(DutchNationalBallet) Foreign Hollywood Film Movie Review, Johnson Thomas, Rating: * * * 1/2
<a href="http://www.mrqe.com/"><a href="http://www.imdb.com/"><a href="http://www.wikipedia.org/"><a href="http://www.aasra.info/"><a href="http://www..com/"><a href="http://www.thepioneer.com efilmcritic.com/"><a href="http://www.talkingpix.co.uk/"><a href="http://www.newyorktimes.com/"><a href="http://www.timesofindia /"><a href="http://www.tirbuneindia.com/"><a href="http://www.hindustantimes.com/"><a href="http://www.dnaindia.com/"></a></a></a></a></a></a></a></a></a></a></a></a><a href="http://www.internationaltribune.com/"><a href="http://www.efilmcritic.com/"></a></a>
<a href="http://www.washingtonpost.com/"></a>  

#Picks&Piques/SnippetFilmReviews/12thSept2014/JohnsonThomas
#Movies(BestReleases)ofTheWeek/12thSept2014/JohnsonThomas

#Cinderella(DutchNationalBallet) Rating: *  *  * ½ #ChristopherWheeldon’s enchanting take on the classic #Cinderella in Ballet form, recorded Live, has breathtaking set-design, almost seamless transitions and brilliant choreography.Not-to-be-missed one time release(Sept14,Sun,7pm) #PVRLive #GirishWankhede #AvianMedia #ChristopherWheeldon #SergieProkofiev #Anna Tsygankova #MathewGolding
Foreign Film review
Johnson Thomas                        
Amazing Beauty and Grace
Film: Cinderella(Ballet)
Cast: Anna Tsygankova, Mathew Golding, Nadia Yanowsky, Megan Zimmy Gray, Larissa Lezhnina
Director: Christopher Wheeldon

Rating: *  *  * ½


Releasing two days after it’s first foray(Queen-Hungarian Rhapsody), this PVR Live offering is meant for the art and culture aficionados. Showcasing in a one show event, Sun, Sept 14@7pm,  in 26 PVR screens across the country, this Christop[her Wheeldon, directed stage ballet performance is breathtaking in it’s scope and majesty- and no less because it’s been captured so efficiently on film. In fact the film experience captures the visual extravagance with great felicity- unfortunately the involvement is not complete. The problem lies with the medium though and not with the performance itself.
 This Ballet is an imaginative interpretation of a much-loved classic- Inspired by the original Brothers Grimm fairy tale, Cinderella.  Wheeldon’s take is different and has it’s own charm. He gives the characters renewed depth and complexity, through a dance form that is both passionate and artistic in it’s embodiment. Prokofiev's celebrated and colourful score is of course the point of reference for such a magnitude of perfection. The sets and costumes by the renowned designer Julian Crouch, supported by stunning stage effects, makes this digitally filmed staged production a truly magical experience. The original showing was premiered in December 2012 by Dutch National Ballet, and it earned choreographer Christopher Wheeldon the prestigious Benois de la Danse Prize, also known as the ‘Oscar of the dance’.

 

Christopher Wheeldon, one of the world's most sought-after choreographers, together with a team of international artists, makes his Cinderella a cinematic Ballet spectacle experience full of humor, virtuosic dance and enchantment. The enchantment isn’t in the choreography alone, but also in Julian Crouch’s astounding scenic and costume design.  One sequence in particularly( directed by the master puppeteer Basil Twist ) in which a tree is turned into a carriage, and Cinderella, seated atop with the silky train of her dress billowing behind her, is led by a team of puppet-headed horses that seem to be galloping straight toward the audience- is simply spell-binding.

The ballet, set to the Prokofiev score, begins with animated birds flying across with the lights bringing into focus a young Cinderella with her parents. Then comes her mother’s death from consumption. Later, Cinderella sobs over her grave; her tears produce a magical tree that fills the stage with it’s lush, green expanse. Once Cinderella achieves adulthood, the story is pretty much familiar. It’s the dance and the stunning visual enrapture that lends this performance it’s magic. Don’t miss it!



#ThePrince, English Hollywood Film Movie review, Johnson Thomas Rating: * *

#ThePrince, English Hollywood Film Movie review, Johnson Thomas Rating: *  *

<a href="http://www.mrqe.com/"><a href="http://www.imdb.com/"><a href="http://www.wikipedia.org/"><a href="http://www.aasra.info/"><a href="http://www..com/"><a href="http://www.thepioneer.com efilmcritic.com/"><a href="http://www.talkingpix.co.uk/"><a href="http://www.newyorktimes.com/"><a href="http://www.timesofindia /"><a href="http://www.tirbuneindia.com/"><a href="http://www.hindustantimes.com/"><a href="http://www.dnaindia.com/"></a></a></a></a></a></a></a></a></a></a></a></a><a href="http://www.internationaltribune.com/"><a href="http://www.efilmcritic.com/"></a></a>
<a href="http://www.washingtonpost.com/"></a>                                      

#Picks&Piques/SnippetFilmReviews/12thSept2014/JohnsonThomas

#ThePrince(Englsih) Rating: *  *  Criminal misdeameanor. Sleepy Actioner. Don’t go by the star cast. This one is sloppy, too verbose for an actioner and has terrible performances even from the likes of #BruceWillis, #JohnCusack #JasonPatrick  #TaraHolt #PVRPictures #PriyankaVaswani


 

English Film review
Johnson Thomas  

  
A ‘trip’ to Nowhere


Film: The Prince
Director:Brian A Miller



Rating: *  *

Bruce Willis and Rain in The Prince (2014) Movie Image

A Dad, former assassin-now-mechanic, jumps into overdrive after a weird guy picks up his daughters phone to whom he just spoke on Skype. Together with his daughter’s former roommate who clings to him like sticky tape, they set out to are going to find her, shooting everybody who stands in their way. That’s the story- very familiar, worn and unexciting to say the least. And with Jason Patrick in the lead, while John Cuscack and Bruce Willis essay sidey roles, there really is not much to expect from this other than some strong fire power and action. The in-between stuff is so sluggish and verbose that it will put you to sleep. With not much of a story to work with and a slow-to-burn treatment blocking the engagement, everything appears bland and uninteresting and unoriginal. 


Though the Director tries hard to mix it up with noir elements , there isn’t much he accomplishes with the sluggish pacing, poor character definition and unnecessary conversations. There isn’t much purchase here. Even the performances are excessively lazy. Either the A list actors in this C grade enterprise made their entries via gratis or they got humongous amounts and couldn’t care less about the outcome. The resultant is completely disengaging!