Showing posts with label Kriti Sanon. Show all posts
Showing posts with label Kriti Sanon. Show all posts

Friday, June 20, 2014

Ek Ka Dum 1(‘Nenokkadine’ in Telugu) , Hindi Bollywood Film movie Review, Johnson Thomas, Rating: * * 1/2

Ek Ka Dum 1(‘Nenokkadine’  in Telugu) , Hindi Bollywood Film movie Review, Johnson Thomas, Rating: *  * 1/2


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  Hindi film review
Johnson Thomas

Technically sharp but hampered by implausibility!


Film: Ek ka Dum 1
Cast: Mahesh Babu, Kriti Sanon, Kelly Dorji
Director: Sukumar


Rating: *  * ½

‘Ek ka Dum 1’ released in it’s Telugu original version ‘Nenokkadine’   earlier this year and grossed $1.2 million in the US, making it one of the top four Telugu grossing films in that country. The film also rang up another milestone when it reached the $1 million mark in the United States, one of the best openings ever for an Indian film. So a dubbed Hindi version made sense especially since it had Mahesh Babu(better known as Namrata Shirodkar’s husband, in Hindi circles) and Kriti Sanon(fresh from her ‘Heropanti’ success) in the lead.

The film is a psychological revenge drama, fashioned as a thriller, with the psychologically embattled hero trying to pinpoint his parents’ killers and seek retribution for their loss. As a young boy Gautham lost his parents and was sent to an orphanage. While no one believes his parents were murdered, Gautham keeps having visions of an incident involving him and his parents while on a bus ride. The adult Gautham(Mahesh Babu), a rockstar, can’t remember his parents faces or what exactly happened to them. He believes they were murdered and has visions of four men chasing him through the forest. One of them appears to him at his concert which was being filmed live. He chases him and eventually kills him. But an enterprising TV journalist, Sameera(Kriti Sanon) who secretly followed and recorded the events proves that he did not kill anyone. That was his imagination entirely. On psychiatric evaluation, Gautham  is diagnosed as suffering from  Integration disorder  which essentially means his brain has 25% less grey matter which affects cognition and memory. From thereon Gautham struggles to put together a plausible explanation for his visions and is aided by the aggressively love-sick Sameera. Together they join the dots and come up with events that appear to be hallucinatory but in actuality are factual.

The main problem in the telling is the point-of-view shifts from Gautham to Sameera to the villains, leading to a lot of confusion and heart burn. The plotting is too convoluted and it’s too difficult to keep track of the clues and counter clues that keep propping up after every event. To add to the misery there are repetitive sequences with different endings leaving you confused and befuddled. The narrative length is beyond bearable limits clocking more than 2 hr 30 minutes- which in fact stretches believability to beyond bearable limits. In fact the entire story plays out like a weird fantasy. The characters don’t appear believable as none of them have realism as a creative base. The opening sequence has rockstar Gautham singing a ridiculous sounding, supposedly hit number  ‘Who am I’  and then jumping off stage and pursuing the villain while the concert is still on. Sameera who is filming the concert follows him like s stalker and even declares her love for him with the gusto of a hurtling train. The narrative is fast paced with jump cuts, montage and sequence shots doing duty in effecting a frenzy of action and pace. The action choreography appears lifted from Korean films and comes across as quite crusty. The dubbing is also first rate. But the plotting appears contrived and implausible. Mahesh Babu with his earnestness and good looks, is a welcome addition to the romantic-action hero set while Kriti Sanon looks delectable, and performs confidently - much better than her ‘Heropanti’ effort. This is a film that tries to do too much but achieves precious little. Clearly, the Director did not uuencode it well enough to make the story decipherable or plausible.

Friday, May 23, 2014

Heropanti, Hindi Bollywood Film Movie review, Johnson Thomas, Rating: * *

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Not a Majestic ‘Son’ rise this!      
                              
Hindi Film Review
Johnson Thomas     
Film: Heropanti
Cast: Tiger Shroff, Kriti Sanon, Prakash Raj,
Director: Sabbir Khan


Rating: * *

This is not a home production for the star son, yet it’s got the markings of one. Jackie Shroff’s son Tiger,  dons the mantle of ‘Hero’ to new-face-in-the–crowd, Kriti Sanon, in a decently mounted Nadiadwala Grandsons production- and he gets to do everything that a ‘Hero’ does. He vanquishes a dozen aggressors with supreme ease and agility, falls in love at first sight and then goes on to romance the heroine and win her heart, stays true to his friends who are the original cause for his coing within the vicinity of the girl he falls for, and in true DDLJ fashion gets brutalized before he can convince the girls father that he could well be the most suitable bridegroom. His unusually angled, delicately molded features also gets favorable treatment from the camera and the stunts have been choreographed keeping in mind his genetically ordained agility and balletic fluency. He even wears a foppish hairstyle that looks a little too artificial for comfort. Yes, technology has been put to good use and no stone has been left unturned to make the lead actor have the advantage. But it’s still a no-show and that’s mainly because the storyline(inspired from some indistinct south side hit) is absolutely ridiculous in set-up.
This is Sabbir Khan's second directorial venture after the infamous Akshay-Kareena starrerKambakkht Ishq and ostensibly a remake of a Telugu film, ‘Parugu.’ and follows in the footsteps of the original- but of course with a dash of ‘Hero’, ‘DDLJ’ and ‘Maine Pyar Kiya’ thrown in for good measure. Maybe he believed that he couldn’t go wrong with such haloed inspiration. The opposite happens…
Imagine this guy, Babloo(Tiger) who falls for a girl at first glimpse from across the street. Dimpy(Sanon) is having pani puri with her friends and zooms off without a backward glance. Babloo obviously has microscopic vision because he proudly sights the fallen earring of the girl in question. After that he behaves like a stupid love-lorn idiot. Risking his and his friends lives so that he can locate the girl at any cost. The weird part is that this girl lives and moves around right under his nose and he is none the wiser. Why? Pray tell? Because from the angle that the sequences in the first half are shot, he only gets to see her navel while she only gets to hear his voice. Be thankful that those days are gone when even those attributes could have gotten potential made-for-each-other lovers into a swoon. To make matters worse, her father(Prakash Raj) and uncles from the Jat brotherhood believe in the khap tradition and see nothing wrong in dragging women around or lynching them if they so much as look at a man not of the parent’s choice. The stage is suitably set for all-out action before the happily ever after can set in. Unfortunately the director decides to pump up the emotion with the hero opting for sacrifice rather than causing more emotional pain to the Jat strongman.
 Though the title appears to be derived from Jackie’s own super-hit lead debut with Subhash Ghai at the helm, ‘Heropanti’ doesn’t appear anywhere near close to that faraway blockbuster. Director and probably chief ideator,  Sabbir Khan tries to lend the lead character with all the antics befitting a hero and he borrows liberally from the Bollywood pantheon of love stories for  much needed inspiration but it’s just not put together in a manner that is engaging or entertaining.  Yes Tiger Shroff is good in action sequences and has an eye-pleasing screen presence. But his delicate facial contours don’t suit the manly heroic persona thrust on him. He has a wonderfully ribbed body and superb flexibility in action stunts yet the character he plays doesn’t sit well. The effort to lend him a wider range of abilities comes unstuck here. Romance and emotion are just not what he can do well, yet. To add to that, Kriti Sanon looks like she’s had a bad lip job while Prakash Raj hams it up to the gills. If this movie was an all-out actioner like ‘Raid’ or any of the Bruce Lee , kung-fu, Karate movies, it would have been a dream debut at least for Tiger.  ‘Heropanti’ as is , where is, just doesn’t engage or entertain, sorry to say!