Cinema Paradiso- All about Cinema: Samuel L. Jackson

Friday, April 4, 2014

Captain America: The Winter Soldier, Hollywood English Film Movie review, Johnson Thomas, Rating: * * * 1/2

English film review

Johnson Thomas

Funtastic Action Adventure

Film: Captain America: The Winter Soldier(3D/Imax)

Cast: Chris Evans, Anthony Mackie, Sebastian Stan, Samuel L. Jackson, Scarlett Johansson, Frank Grillo, Robert Redford,Cobie Smulders, Georges St-Pierre, Hayley Atwell, Toby Jones,Emily VanCamp, Maximiliano Hernandez

Director: Joe Russo, Anthony Russo

Rating: * * * 1/2

Synopsis:Steve Rogers continues his journey as the super-poweredAmerican soldier who's grasping to find his place in a modernworld after being frozen in ice since WWII with this Marvel Studios sequel. Chris Evans returns to star, with Community director/producers Joe and Anthony Russo helming

The marvel universe continues to thrive with ‘Captain America: The Winter Soldier,’ the second in the recent Captain America series, toplining Steve Rogers’ continued athleticism combined with his unique super powers in his renewed attempts to make America a safer place.

The film gets topical with it’s hot-button elements as drone warfare, NSA spying and Wikileaks-style secret sharing. The screenplay by returning writers Christopher Markus and Stephen McFeely makes the ingredients interesting and complex enough to devise enough doses of mystery and thrills. “The Winter Soldier” is actually situated in a world where those on both sides of the political discourse have done much to compromise basic human freedoms in the name of defending them.

"Captain America: The Winter Soldier" opens with Steve Rogers, jogging around Washington D.C. His speed is such that he keeps passing Sam Wilson (Anthony Mackie) before Wilson can complete one of his laps. It’s a humorous opening and at once establishes beyond doubt the super prowess of the super hero. The opening action sequence features Captain America and Black Widow (Scarlett Johanssen)storming Washington D.C. and later on they are sent on another mission on a ship. There’s also an elevator brawl and a car chase through the streets of Washington to keep you glued to your seats.

Over the quick-fire action and a little bit of exposition, Rogers learns that he can trust at least two people: the dangerous-limbed ex-KGB agent and Fury protege /Black Widow Natasha Romanoff (Scarlett Johansson) and former Army paratrooper Sam Wilson (Anthony Mackie), who, like Rogers, lost his wingman in the war zone.

So now it’s them three against the Enemies of the state. And Alexander Pierce(Robert Redford) emerges as the man to outfox. At seemingly every turn, the intrepid trio find themselves assailed by the eponymous Winter Soldier, a lethal assassin with a silvery robotic arm and a half-century’s worth of kills on his resume.

Captain America is a goody two shoes who fights with a shield, wears an excessively patriotic costume and doesn’t come across as a ladies man(a half-hearted attempt at asking out his neighbor assayed by Emily VanCamp). Yet he has become one of the most endearing and entertaining of Marvel’s superheroes. He is a loner ‘cos he pronanly feels outdated. He visits the Smithsonian Institution’s “Captain America” room, and images of Peggy Carter (Hayley Atwell) and Bucky Barnes (Sebastian Stan) only serve to remind him of what he’s lost. He feels pain and is also strong on emotion.

The wonderfully choreographed and shot action relies heavily on hand to hand combat and practical effects with CGI assists. It’s a stupendous array of set-pieces that will leave you overawed. Co-directors Anthony and Joe Russo heap on the humor in the most precipitous of situations and yet manages to score brilliantly on the action chops. The clarity and depth achieved here is scintillating to say the least!

Johnsont307@gmail.com

Friday, February 14, 2014

Robocop, English Hollywood Film Movie Review, Johnson Thomas, Rating: * * *

English film review

Johnson Thomas

Fantastically orchestrated Actioner!

Film: Robocop

Cast: Joel Kinnaman, Gary Oldman, Samuel L. Jackson, Michael Keaton, Jackie Earle Haley, Jay Baruchel, Abbie Cornish

Director: José Padilha

Rating: * * *

It’s an origin story , a reboot or remake of Paul Verhoeven’s RoboCop, which is still brutally relevant 27 years on. Man and machine unite in RoboCop, a reimagining of the 1980s cult classic, directed by José Padilha.

In the current "RoboCop," the year is 2028 and multinational conglomerate OmniCorp is trying different ways to sneak in robots. Into the Police force, given that they have already obtained winning PR for their stint in Tehran. That is exactly where this reboot begins. A live feed from Tehran covered by a reporter more awed by the spectacle than interested in telling it as it is, goes awry when suicide bombers attack the robots policing the streets. It’s a shocking sight that swings public opinion in the US in favor of keeping Robots off the police force. The obnoxious right-wing TV host here — Pat Novak, played by a mostly wasted Samuel L. Jackson, tries hard to swing things back. But up until Detroit’s finest, Alex Murphy( Joel Kinnaman) gets injured in a bombing, it was all no-go.

Omnicorp comes to the rescue of the barely surviving injured cop and kits him out with a new body attached to the surviving bits and pieces of his old self. It’s a preprogrammed metal suit with AI which allows him to use his emotions and intellect to suit the cause. Alex returns to the streets of his beloved city with amazing new abilities, but with issues a regular man has never had to face before. The conflicts are clearly defined. Vengeance is the need of the hour and the action is remarkably enticing.

The re-structuring of the original plot, allows for a far more intricate web of possibilities. By not simply forcing Murphy’s family out of the picture,Robocop 2014 allows for a reunion that drives home the strangeness of the possibility of their ever getting back together. And we feel the pain too. Abbie Cornish as the wife gives a superbly etched emotion riffen performance-just what the director ordered. The overpowering disconnection presented by Alex Murphy’s inhuman body shoves a wedge into his close relationship with his loved ones. He is still himself, in voice & behaviour, & yet the machine presents a distance. The question that begs an answer is –Was he transformed for the greater benefit of society or to allow him to go back to the normal family existence he loved? The answer of course is quite clear. Though his wife fought to keep him alive, the irony is that his new life has little or no room for her and their son.

For OmniCorp, Murphy represents a tremendous opportunity. “He’s a product they want to sell,” Padilha explains. “He’s a prototype. He’s been developed, just like a soda company might develop a new bottle: they’re trying to find the ideal design for a robot to sell to police departments. It’s potentially billions of dollars for the company, so they’re willing to cut a few ethical corners to get there. But they forgot something – inside the product, there is a man; it’s not just a suit, it’s a human being.

The film's origins come from superhero comics, its elements easily interhangeable and its general make-up not too distant from Iron Man. Of course, the mechanics of that is different. The parts are movable and is fed with a combination of hormone juices. For a remake of an infamously blood drenched work of ultra-violence, this Robocop is surprisingly verbose. It’s also contemporary and thematically relevant to today’s scenario. The original used TV recreations to demonstrate a media turned blithely oblivious to nightmare & degradation, and here, the media is updated to be actively antagonistic & destructive. Unfortunately it’s not humorous or satirical. The final act is neatly done- the scenes that come before it have that action packed wow factor. What was once derided as ridiculous and toonish has now transformed into a spectacle , both insightful and intelligent in it’s brilliance. Robocop 2014 manages to live up to those expectations!

Johnsont307@gmail.com